![]() ![]() Each of the following chapters follows one or more of those orientations. The introductory manifesto, "Four Gaps in Postromantic Influence Study," posits four new orientations for such work: taking the volume (rather than the individual poem) as a unit stressing more centrally the Victorian mediation between Romantic and Modern allowing for national differences among English, Irish, and American traditions and basing influence studies as much on manuscript materials as on finished products. Bornstein focuses most centrally on Browning in the Victorian period and Yeats and Pound in the Modern, but also looks more briefly at works by Wordsworth, Coleridge, Keats, Shelley, Arnold, Tennyson, and Eliot. This volume offers a coherent view of post-romantic poetic development through selective examples both of individual poems and of poetic influence.
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